Sunday, June 22, 2025

R.G. Chandramogan, Founder - Hatsun Agro Products


Meet R.G. Chandramogan, a true idol of the Indian dairy industry whose story embodies grit, determination, and the power of dreams. This school dropout from Thiruthangal, Tamil Nadu, began his career earning a humble Rs. 65 a month at a timber depot. At just 21, with a mere Rs. 13,000, he took a leap of faith into the ice cream business, starting small in a 250 sq. ft. space with just three employees. 

His ambition was fueled by early success, earning Rs. 1.5 lakh in his first year selling ice cream in pushcarts. This momentum led him to found Hatsun Agro Products in 1986, revolutionizing the dairy supply chain by directly sourcing milk from farmers and establishing factory-style outlets.

Today, Hatsun Agro Products is an empire spanning over 3 million sq. ft., employing more than 8,000 people, and boasts beloved brands like Arokya, Gomatha, Arun Icecreams, and Ibaco. Not only does it dominate the Indian market, but its products are also exported to 42 countries, with an astounding annual turnover of Rs. 20,000 crore!

At 74, R.G. Chandramogan stands as one of India's richest individuals, with a net worth exceeding Rs. 13,000 crore. His journey from a Rs. 65 salary to building a multi-crore empire is a powerful testament to what unwavering hard work and a clear vision can achieve. 
* Marketingpundit 
* Marketing Gyanology

Sunday, June 15, 2025

How do you handle sickening customers


To be a master salesman we were taught to stay cool and figuratively carry a tonne of ice on our head while dealing with customers. 
How will you handle such customers who are literally a pain in the a$$ 🤔 
Marketing Gyanology by the Marketingpundit

Monday, May 26, 2025

Palki Sharma on the real face of today’s India where street vendors are using QR codes for every transaction


Palki Sharma on the real face of today’s India where almost every street vendor is using QR codes for every transaction. 

Palki Sharma shares a powerful observation from the streets of Delhi - two vendors using QR codes for every transaction. It’s a reflection of Digital India, rising financial inclusion, and unstoppable growth. This is the India we live in today in May 2025. 
* Marketingpundit 
* Marketing Gyanology 
* How India Travels 

Saturday, May 03, 2025

India’s toy market is ₹11,000 crore

India’s toy market is a ₹11,000 crore powerhouse and it’s rising fast!
Local manufacturing is thriving, exports are soaring, and the industry is undergoing a major shift.
The Economic Survey 2023-24 reveals how India is reshaping its toy industry.

Thursday, March 27, 2025


āĻ›োāϟ āĻĨেāĻ•েāχ āĻļুāύāϤেāύ āĻŦাāĻ™াāϞিāϰ āĻĻ্āĻŦাāϰা āφāϰ āϝাāχ āĻšোāĻ•, āĻŦ্āϝāĻŦāϏা āϏāĻŽ্āĻ­āĻŦ āύা | āĻ•িāύ্āϤু āĻŦ⧜āĻŦাāϜাāϰে āĻĄিāϏ্āϟ্āϰিāĻŦিāωāϟāϰেāϰ āĻ•াāϜ āĻ•āϰāϤে āĻ•āϰāϤে āϤিāύি āϏ্āĻŦāĻĒ্āύ āĻĻেāĻ–āϤেāύ āĻŦ⧜ āĻŦ্āϝāĻŦāϏা āĻ•āϰাāϰ | āĻŦāϞāϤেāύ āĻāĻ•āĻĻিāύ āϏাāϰাāĻĻেāĻļে āφāĻŽাāϰ āĻĒ্āϰোāĻĄাāĻ•্āϟেāϰ āύাāĻŽ āĻ›āĻĄ়িāϝ়ে āĻĒāĻĄ়āĻŦে | āϏেāχ āϏāĻŽā§Ÿ āĻĻাঁ⧜ি⧟ে āϤাঁāϰ āĻāχ āĻ•āĻĨা⧟ āĻ•েāω āĻŦিāĻļ্āĻŦাāϏ āĻ•āϰāϤ āύা | āϞোāĻ•ে āϤাঁāĻ•ে āύি⧟ে āĻšাāϏাāĻšাāϏি āĻ•āϰāϤ | āĻ•িāύ্āϤু āϤিāύি āĻ›িāϞেāύ āύিāϜেāϰ āϞāĻ•্āώ্āϝে āĻ…āĻŦিāϚāϞ | āφāϰ āφāϜ āϤাঁāϰ āĻ•োāĻŽ্āĻĒাāύি āĻŦিāϏ্āĻ• āĻĢাāϰ্āĻŽ āĻŦেāĻ•াāϰি āĻŦ্āϝāĻŦāϏাāϝ় āĻĻেāĻļেāϰ āϚāϤুāϰ্āĻĨ āĻŦৃāĻšāϤ্āϤāĻŽ āĻ•োāĻŽ্āĻĒাāύি | āĻŦāϰ্āϤāĻŽাāύে āĻ•োāĻŽ্āĻĒাāύিāϰ āĻŦ্āϝāĻŦāϏাāϰ āϟাāϰ্āύāĻ“āĻ­াāϰ āĻĻুāĻšাāϜাāϰ āĻ•োāϟিāϰ āĻŦেāĻļী | āĻāĻ–āύ āϏাāϰা āĻĻেāĻļে āĻāχ āĻŦ্āϰ্āϝাāύ্āĻĄেāϰ āϜāύāĻĒ্āϰি⧟āϤা āφāĻ•াāĻļāĻ›োঁ⧟া।
āĻ•ে āϤিāύি ?
āϤিāύি āĻ•ৃāώ্āĻŖāĻĻাāϏ āĻĒাāϞ | āϤāĻŦে āĻļিāϞ্āĻĒāĻŽāĻšāϞে āϤিāύি āĻ•ে āĻĄি āĻĒাāϞ āύাāĻŽেāχ āĻĒāϰিāϚিāϤ | āϜāύ্āĻŽ ⧧⧝ā§Ēā§Ļ āϏাāϞে āĻŦāϰ্āϧāĻŽাāύ āϜেāϞাāϰ āĻ•াāĻŽাāϰāĻ•িāϤা āĻ—্āϰাāĻŽে। āĻŦাāĻŦাāϰ āύাāĻŽ āĻĒূāϰ্āĻŖ āϚāύ্āĻĻ্āϰ āĻĒাāϞ। āĻĒাঁāϚ āĻ­াāχ, āϤিāύ āĻŦোāύেāϰ āĻŽāϧ্āϝে āϤিāύি āϤৃāϤীāϝ় |
āĻĒূāϰ্āĻŖāϚāύ্āĻĻ্āϰ āĻĒাāϞ āĻŦিāϝ়েāϰ āφংāϟি āĻŦিāĻ•্āϰি āĻ•āϰে āĻŦāϰ্āϧāĻŽাāύ āĻĨেāĻ•ে āĻ•āϞāĻ•াāϤাāϝ় āĻāϏেāĻ›িāϞেāύ āĻ­াāĻ—্āϝাāύ্āĻŦেāώāĻŖে। āϤাঁāϰ āϏāĻ™্āĻ—ে āφāϏেāύ āϏ্āϤ্āϰী āĻ“ āĻ›েāϞেāϰাāĻ“। āĻļāĻšāϰে āĻĒৌঁāĻ›ে āĻ—āĻ™্āĻ—াāϝ় āĻĄুāĻŦ āĻĻিāϝ়ে āĻĒ্āϰাāϰ্āĻĨāύা āĻ•āϰেāύ 'āϝাāχ āĻ•āϰি āϤাāϤেāχ āϝেāύ āϏেāϰা āĻšāϤে āĻĒাāϰি'। āĻ…āĻ­াāĻŦেāϰ āϏংāϏাāϰ | āĻĒāϰিāĻŦাāϰেāϰ āϏāĻ•āϞāĻ•ে āύিāϝ়ে āĻāϏে āϤুāϞāϞেāύ āĻļ্āϝাāĻŽāĻĒুāĻ•ুāϰেāϰ āĻāĻ• āĻ•াāĻŽāϰাāϰ āϘāϰে। āĻļুāϰুāϤে āĻ•āϞāĻ•াāϤাāϰ āĻāĻ• āĻŦেāϏāϰāĻ•াāϰী āĻ•োāĻŽ্āĻĒাāύিāϤে āĻ…āϞ্āĻĒ āĻŽাāχāύেāϰ āĻāĻ•āϟা āϚাāĻ•āϰী āĻĒেāϝ়েāĻ›িāϞেāύ āĻĒূāϰ্āĻŖāϚāύ্āĻĻ্āϰ | āϤাāϰāĻĒāϰ āϏেāϟা āĻ›েāĻĄ়ে āĻŦāĻĄ়āĻŦাāϜাāϰেāϰ āĻāĻ•āϟা āĻ›োāϟ্āϟ āϘāϰ āĻĨেāĻ•ে āĻļুāϰু āĻšāϞ āĻĒূāϰ্āĻŖāϚāύ্āĻĻ্āϰেāϰ āϟ্āϰেāĻĄিং āĻ“ āĻĄিāϏ্āϟ্āϰিāĻŦিāωāĻļāύেāϰ āĻ•াāϜ।
āĻ•ৃāώ্āĻŖāĻĻাāϏ āĻ­āϰ্āϤি āĻšāϞেāύ āĻ•াāĻ›েāχ āĻļ্āϝাāĻŽāĻŦাāϜাāϰ āĻ. āĻ­ি āϏ্āĻ•ুāϞে। āĻĒāĻĄ়াāĻļুāύাāϰ āϜাāϝ়āĻ—াāϰ āĻ…āĻ­াāĻŦ āϤাāχ āϤিāύি āĻĒāĻĄ়াāĻļুāύা āĻ•āϰāϤেāύ āϰাāύ্āύাāϘāϰে। āĻ…āϞ্āĻĒ āĻŦāϝ়āϏ āĻĨেāĻ•ে āĻŦ্āϝāĻŦāϏাāϰ āĻ•াāϜে āĻŦাāĻŦাāĻ•ে āϏাāĻšাāϝ্āϝ āĻ•āϰāϤেāύ āĻ•ৃāώ্āĻŖāĻĻাāϏ। āĻĒ্āϰāĻĨāĻŽে āϏাāχāĻ•েāϞ āĻ­্āϝাāύে āĻ্āϝাāϞāĻĒাāχāύ āĻĻুāϧ āĻĒৌঁāĻ›ে āĻĻিāϤেāύ āĻŦাāĻĄ়ি āĻŦাāĻĄ়ি। āφāϰ‌āĻ“ āĻŦāĻĄ় āĻšāϞে; āĻŽোāϟāϰ āĻ­্āϝাāύে āĻŦāĻĄ় āĻŦāĻĄ় āĻĻোāĻ•াāύে āύাāύাāύ āϧāϰāύেāϰ āĻŽাāϞ āĻĒৌঁāĻ›ে āĻĻিāϝ়েāĻ›েāύ āϤিāύি। āĻāĻĻিāĻ•ে āφāĻŦাāϰ āϏেāϞ্āϏ āϟ্āϝাāĻ•্āϏ āϰেāϜিāϏ্āϟাāϰ āϞেāĻ–াāϰ āĻĻাāϝ়িāϤ্āĻŦ‌āĻ“ āĻ›িāϞ āϤাঁāϰ āωāĻĒāϰ | āĻŦেāĻļ āĻŽেāϧাāĻŦী āĻ›িāϞেāύ āĻ•ৃāώ্āĻŖāϚāύ্āĻĻ্āϰ | āϤাāχ āĻ›োāϟ āĻ­াāχ āĻŦোāύেāĻĻেāϰ āϞেāĻ–াāĻĒāĻĄ়াāϝ় āϏাāĻšাāϝ্āϝ āĻ•āϰাāϰ āĻĻাāϝ়িāϤ্āĻŦ‌āĻ“ āĻ›িāϞ āϤাঁāϰ āĻ•াঁāϧে। āĻ. āĻ­ি āϏ্āĻ•ুāϞেāϰ āĻĒāϰ āχংāϰাāϜী āĻ…āύাāϰ্āϏ āĻĒāĻĄ়āϤে āĻĸুāĻ•āϞেāύ āϏিāϟি āĻ•āϞেāϜে। āĻŦিāĻ āĻ•āϰাāϰ āĻĒāϰ āĻāĻŽāĻ āĻ“ āϤাāϰāĻĒāϰ āφāχāύ āĻĒāĻĄ়া āĻļুāϰু āĻšāϞ āĻ•āϞāĻ•াāϤা āĻŦিāĻļ্āĻŦāĻŦিāĻĻ্āϝাāϞāϝ়ে।
āĻĒূāϰ্āĻŖāϚāύ্āĻĻ্āϰেāϰ āĻŦ্āϝāĻŦāϏাāϰ āĻ…āĻŦāϏ্āĻĨা āϤāϤāĻĻিāύে āĻŦেāĻļ āĻĒোāĻ•্āϤ āĻšāϝ়ে āωāĻ েāĻ›ে। āĻļ্āϝাāĻŽāĻĒুāĻ•ুāϰ āϏ্āϟ্āϰীāϟেāχ āĻĻেāĻĄ় āĻ•াāĻ া āϜāĻŽিāϰ āωāĻĒāϰ āĻ›োāϟ্āϟ āĻāĻ•āϟা āĻŦাāĻĄ়ি āĻ•āϰেāĻ›েāύ। āϤāĻŦু āĻŦাāĻŦাāϰ āωāĻĒāϰ āϚাāĻĒ āύা āĻŦাāĻĄ়িāϝ়ে āĻ•ৃāώ্āĻŖāĻĻাāϏ āϚাāĻ•āϰী āύিāϞেāύ āĻšাāĻ“āĻĄ়াāϰ āĻ…āĻ•্āώāϝ় āĻļিāĻ•্āώাāϝ়āϤāύ āϏ্āĻ•ুāϞে। āĻāϰāĻĒāϰ āĻ•িāĻ›ুāĻĻিāύ āĻšাāχāĻ•োāϰ্āϟে āĻ“āĻ•াāϞāϤিāĻ“ āĻ•āϰেāύ। āϤāϤāĻĻিāύে āĻĒূāϰ্āĻŖāϚāύ্āĻĻ্āϰেāϰ āĻŦ্āϝāĻŦāϏা āφāϰ‌āĻ“ āĻŦāĻĄ় āĻšāϝ়েāĻ›ে। āϤিāύি āĻ›েāϞেāĻ•ে āĻĒুāϰোāĻĒুāϰি āϟেāύে āύিāϞেāύ āĻŦ্āϝāĻŦāϏাāϰ āĻ•াāϜে।
ā§§ā§¯ā§­ā§Š āϏাāϞে āĻĒূāϰ্āĻŖāϚāύ্āĻĻ্āϰ āϤাঁāϰ āϏāĻŽāϏ্āϤ āĻŦ্āϝāĻŦāϏা āĻ›েāϞেāĻĻেāϰ āĻŽāϧ্āϝে āĻ­াāĻ— āĻ•āϰে āĻĻিāϞেāύ। āĻ•ৃāώ্āĻŖāĻĻাāϏ āĻĒেāϝ়েāĻ›িāϞেāύ āĻĄিāϏ্āϟ্āϰিāĻŦিāωāĻļāύ | āĻ•ৃāώ্āĻŖāĻĻাāϏ āĻĒেāϞেāύ āĻĄিāϏ্āϟ্āϰিāĻŦিāωāĻļāύ। āϤāĻ–āύ āĻĨেāĻ•েāχ āϝোāĻ—াāϝোāĻ— āĻāχ āĻŦিāĻļাāϞ āĻŽাāϰ্āĻ•েāϟেāϰ āϏāĻ™্āĻ—ে। āύেāϏāϞে, āϞ্āϝাāĻ•āĻŽি āφāϰ āĻ•্āϝাāϞāĻ•াāϟা āĻ•েāĻŽিāĻ•্āϝাāϞāϏ— āĻāχ āϤিāύāϟে āĻ•োāĻŽ্āĻĒাāύিāϰ āϏāĻ™্āĻ—ে āĻŦ্āϝāĻŦāϏা āϤো āĻ›িāϞāχ। āĻĒāϰে āĻ•ৃāώ্āĻŖāĻĻাāϏ āĻĒ্āϰা⧟ āĻāĻ•াāϰ āϚেāώ্āϟাāϤেāχ āϏেāχ āϤাāϞিāĻ•া⧟ āϝুāĻ•্āϤ āĻ•āϰāϞেāύ āĻŦ্āϰিāϟাāύি⧟া, āĻĄাāĻŦāϰ, āĻšāϰāϞিāĻ•্āϏেāϰ āĻŽāϤো āĻ•োāĻŽ্āĻĒাāύিāĻ•ে। āĻŦ্āϝāĻŦāϏা āĻ“ āϞাāĻ­েāϰ āĻĒāϰিāĻŽাāĻŖ āĻāĻ• āϧাāĻ•্āĻ•া⧟ āĻŦে⧜ে āĻ—েāϞ āĻ…āύেāĻ•āϟা।
āĻ•্āϝাāϞāĻ•াāϟা āĻ•েāĻŽিāĻ•্āϝাāϞāϏেāϰ āĻĄিāϰেāĻ•্āϟāϰ āϏāĻŽāϰেāĻļ āĻĻাāĻļāĻ—ুāĻĒ্āϤ āĻāχ āϏāĻŽā§Ÿ āĻŽাāϰা āĻ—েāϞে āϤাঁāϰ āϏ্āϤ্āϰীāϰ āϏāĻ™্āĻ—ে āĻ•āĻĨা āĻŦāϞে āϏেāχ āĻ•োāĻŽ্āĻĒাāύিāϰ āĻļে⧟াāϰ āĻ•িāύে āύেāύ āĻ•ৃāώ্āĻŖāĻĻাāϏ। āĻ•িāύ্āϤু āωāϞ্āϟোāĻĻিāĻ•ে āĻāĻ—ি⧟ে āĻāϞ āφāϰেāĻ• āĻĒ্āϰāϤিāĻĒāĻ•্āώ, āĻļ āĻ“ā§ŸাāϞেāϏ। āĻāĻŽāύ āϘāϟāύা⧟ āĻ…āϏāύ্āϤুāώ্āϟ āĻšāϞেāύ āĻ•ে āĻĄি। āφāϰ āϏেāχ āϞ⧜াāχ āĻ—ā§œাāϞ āφāĻĻাāϞāϤ āĻĒāϰ্āϝāύ্āϤ। āĻŦিāϏ্āϤāϰ āϘāϟāύাāĻĒ্āϰāĻŦাāĻšেāϰ āĻĒāϰ āϤাঁāϰ āĻļে⧟াāϰ āĻŦিāĻ•্āϰি āĻ•āϰে āĻĻিāϞেāύ āĻ•ে āĻĄি। āĻ•িāύ্āϤু āĻ•্āώāϤিāĻĒূāϰāĻŖ āĻĒেāϞেāύ āĻĒ্āϰা⧟ ā§­ āĻ•োāϟি āϟাāĻ•া। āφāϰ āĻāχ āϟাāĻ•া āĻĻি⧟েāχ ⧍ā§Ļā§Ļā§Ļ āϏাāϞে āĻļুāϰু āĻšāϞ ‘āϏাāϜ āĻĢুāĻĄ āĻĒ্āϰোāĻĄাāĻ•্āϟāϏ āĻĒ্āϰাāχāĻ­েāϟ āϞিāĻŽিāϟেāĻĄ’। āϤিāύ āĻ›েāϞেāĻŽেāϝ়ে āĻļāϰ্āĻŽিāώ্āĻ া, āĻ…āϰ্āĻĒāĻŖ, āφāϰ āϜāϝ়িāϤাāϰ āύাāĻŽেāϰ āφāĻĻ্āϝāĻ•্āώāϰ āĻĻিāϝ়ে āϰাāĻ–া āĻšāϞ āĻāχ āύāϤুāύ āĻ•োāĻŽ্āĻĒাāύীāϰ āύাāĻŽ। āĻāχ āĻ•োāĻŽ্āĻĒাāύিāϰ āĻĒ্āϰāϧাāύ āĻĒ্āϰোāĻĄাāĻ•্āϟ āĻšāϞ ‘āĻŦিāϏ্āĻ•āĻĢাāϰ্āĻŽ āĻŦিāϏ্āĻ•ুāϟ’।
āĻĒ্āϰāĻĨāĻŽে āωāϞুāĻŦে⧜ি⧟া, āϤাāϰāĻĒāϰ āĻļিāϞিāĻ—ু⧜ি— āĻ•াāϰāĻ–াāύা āĻŦে⧜েāχ āϚāϞāϞ। āϏেāχāϏāĻ™্āĻ—ে āĻŦে⧜ে āϚāϞāϞ āĻŦিāϏ্āĻ•āĻĢাāϰ্āĻŽেāϰ āύাāĻŽ। āφāϰ āφāϜ? ⧍ā§Ļ āĻŦāĻ›āϰ āĻŦ⧟āϏী āĻāχ āĻ•োāĻŽ্āĻĒাāύি āĻ—োāϟা āĻ­াāϰāϤে āĻŦেāĻ•াāϰি āĻŦ্āϝāĻŦāϏা⧟ āϚāϤুāϰ্āĻĨ āϏ্āĻĨাāύ āĻ…āϧিāĻ•াāϰ āĻ•āϰে āφāĻ›ে। āφāĻ—ে āφāĻ›ে āĻŦ্āϰিāϟাāύি⧟া, āĻĒাāϰ্āϞে āφāϰ āφāχāϟিāϏি | āϏাāĻĄ়ে āϤিāύ āĻšাāϜাāϰ āĻ•āϰ্āĻŽী āϝুāĻ•্āϤ āĻŦিāϏ্āĻ•āĻĢাāϰ্āĻŽেāϰ āϏāĻ™্āĻ—ে। āĻāχ āĻŦ্āϰ্āϝাāύ্āĻĄেāϰ āĻĻ্āϝ āϟāĻĒ, āĻ—ুāĻ—āϞি, āϏ্āĻĒাāχāϏি, āϜাāϏ্āϟ āϜিāύāϜাāϰ, āĻŦুāϰāĻŦোঁ, āϚিāϜ āĻ•্āϰিāĻŽ– āχāϤ্āϝাāĻĻি āĻŦিāϏ্āĻ•ুāϟāĻ—ুāϞি āϏাāϧাāϰāĻŖেāϰ āĻ•াāĻ›ে āĻŦেāĻļ āϜāύāĻĒ্āϰি⧟ | āĻĻেāĻļেāϰ āĻŦāĻĄ় āĻļāĻšāϰāĻ—ুāϞিāϤে āĻŦিāϏ্āĻ•āĻĢাāϰ্āĻŽ āĻŦ্āϰ্āϝাāύ্āĻĄেāϰ āφāωāϟāϞেāϟ āϰ⧟েāĻ›ে, ‘āϜাāϏ্āϟ āĻŦেāĻ•āĻĄ’ āύাāĻŽে। āϏেāĻ–াāύে āĻŦāϏে āύাāύা āϰāĻ•āĻŽ āĻŦিāϏ্āĻ•ুāϟেāϰ āϏāĻ™্āĻ—ে āϚা-āĻ•āĻĢি āϤো āĻ–াāĻ“ā§Ÿা āϝা⧟āχ, āϏেāχ āϏāĻ™্āĻ—ে āĻĒাāĻ“ā§Ÿা āϝা⧟ āĻŦিāĻ­িāύ্āύ āĻ•ুāĻ•িāϜ, āĻ•েāĻ•, āĻĒেāϏ্āϟ্āϰি, āϏ্āϝাāύ্āĻĄāωāχāϚ, āĻĒ্āϝাāϟিāϏ, āĻŽাāĻĢিāύ | āĻŦāϰ্āϤāĻŽাāύে ā§Ēā§Ļ āϟিāϰ āĻŦেāĻļি āϜাāϏ্āϟ āĻŦেāĻ•āĻĄ āϚাāϞু āφāĻ›ে | āĻ•োāĻŽ্āĻĒাāύীāϰ āϞāĻ•্āώ্āϝ āĻšāϞ āĻāϟাāĻ•ে ā§§ā§Ļā§Ļ āϤে āύিāϝ়ে āϝাāĻ“āϝ়া। āχāϤিāĻŽāϧ্āϝে āĻĻেāĻļেāϰ āĻ…āύ্āϝাāύ্āϝ āĻĒ্āϰাāύ্āϤে āĻŦিāϏ্āĻ•āĻĢাāϰ্āĻŽāĻ•ে āĻ›ā§œি⧟ে āĻĻিāϤে āύাāĻ—āĻĒুāϰে āĻāĻ•āϟা āĻ•াāϰāĻ–াāύা āĻ–োāϞা āĻšāϝ়েāĻ›ে। āĻĒāϰেāϰ āϞāĻ•্āώ্āϝ āĻŦেāĻ™্āĻ—াāϞুāϰু। āϏেāĻ–াāύে āĻ•āύāĻ•āĻĒুāϰাāϝ় ā§Ž āĻāĻ•āϰ āϜāĻŽি āĻ•েāύা āĻšāϝ়েāĻ›ে। āĻļীāϘ্āϰ‌āχ āĻ•াāϰāĻ–াāύা āϤৈāϰী āĻļুāϰু āĻšāĻŦে।
⧍ā§Ļ⧍ā§Ļ āϏাāϞে āĻĒ্āϰ⧟াāϤ āĻšāύ āĻ•ৃāώ্āĻŖāĻĻাāϏ āĻĒাāϞ | āĻ•েāĻĄি āĻĒাāϞেāϰ āĻ›েāϞে āĻ…āϰ্āĻĒāĻŖ āĻĒাāϞ āĻāĻ–āύ āĻšাāϞ āϧāϰেāĻ›েāύ āĻŦ্āϝāĻŦāϏাāϰ। āϏাāϰা āĻĻেāĻļে āύাāĻŽ āĻ•āϰāϞেāĻ“, āĻŦāϰ্āϧāĻŽাāύেāϰ āĻŽাāϟিāĻ•ে āĻ•āĻ–āύāĻ“āχ āĻ­োāϞেāύāύি āĻ•ৃāώ্āĻŖāĻĻাāϏ āĻĒাāϞ। āϏাāϧাāϰāĻŖ āĻ—্āϰাāĻŽেāϰ āĻŽাāύুāώ āύাāύা āĻ­াāĻŦে āĻĒাāĻļে āĻĒে⧟েāĻ›ে āϤাঁāĻ•ে। āϞāĻ•āĻĄাāωāύেāϰ āϏāĻŽā§ŸেāĻ“ āĻ—্āϰাāĻŽেāϰ āĻŽাāύুāώেāϰ āϝাāϤে āĻ…āϏুāĻŦিāϧা āύা āĻšā§Ÿ, āϏে āϜāύ্āϝ āĻĒ্āϰ⧟োāϜāύী⧟ āϏাāĻšাāϝ্āϝ āĻ•āϰেāĻ›েāύ। āĻ—্āϰাāĻŽে ⧧⧧⧍āϟি āĻĒāĻĨāĻŦাāϤি āϞাāĻ—ি⧟ে āĻĻি⧟েāĻ›েāύ। āĻŦিāĻĻ্āϝুāϤেāϰ āĻŦিāϞāĻ“ āωāύি āĻŽেāϟাāϤেāύ। āĻŦা⧜ি-āĻŦা⧜ি āĻĒাāύী⧟ āϜāϞেāϰ āϏংāϝোāĻ— āĻ•āϰে āĻĻি⧟েāĻ›েāύ। āωāύি āϚāϞে āϝাāĻ“ā§Ÿাāϰ āĻĒāϰে āĻ—্āϰাāĻŽেāϰ āĻŦাāϏিāύ্āĻĻাāϰা āϝাāϤে āϏāĻŽāϏ্āϝা⧟ āύা āĻĒ⧜েāύ , āϏে āϜāύ্āϝ āĻāĻ•āϟি āϏংāϏ্āĻĨাāĻ“ āϤৈāϰি āĻ•āϰে āĻĻি⧟েāĻ›েāύ। āĻ—্āϰাāĻŽেāϰ ⧝ā§Ģ āĻļāϤাংāĻļ āϰাāϏ্āϤা āĻ•ংāĻ•্āϰিāϟ āĻ•āϰে āĻĻেāĻ“ā§Ÿা, āĻĒ্āϰাāĻĨāĻŽিāĻ• āĻŦিāĻĻ্āϝাāϞ⧟েāϰ āϏংāϏ্āĻ•াāϰ, āĻļ্āĻŽāĻļাāύāϘাāϟ āϤৈāϰি, āĻĻাāϤāĻŦ্āϝ āϚিāĻ•িā§ŽāϏা, āĻ•āĻŽ্āĻĒিāωāϟাāϰ āĻļিāĻ•্āώা, āϏেāĻŦা āĻĒ্āϰāϤিāώ্āĻ াāύেāϰ āĻŽāϤো āĻāĻ•াāϧিāĻ• āĻĒ্āϰāĻ•āϞ্āĻĒ āĻ—্āϰাāĻŽেāϰ āĻŽাāύুāώেāϰ āϜāύ্āϝ āϚাāϞু āĻ•āϰেāĻ›িāϞেāύ। āφāĻļেāĻĒাāĻļেāϰ āĻ—্āϰাāĻŽেāĻ“ āĻĒ্āϰāϚুāϰ āĻĒ্āϰাāϚীāύ āĻŽāύ্āĻĻিāϰ āϏংāϏ্āĻ•াāϰ āĻ•āϰেāύ। āĻā§œে āĻ•্āώāϤিāĻ—্āϰāϏ্āĻĨ āĻāĻ•āĻļোāϰāĻ“ āĻŦেāĻļি āĻŦা⧜ি āĻĻাঁ⧜ি⧟ে āĻĨেāĻ•ে āϏংāϏ্āĻ•াāϰ āĻ•āϰে āĻĻি⧟েāĻ›িāϞেāύ | āϤাঁāϰ āϏংāϏ্āĻĨা⧟ āĻāϞাāĻ•াāϰ āĻĒ্āϰāϚুāϰ āĻŦেāĻ•াāϰ āϝুāĻŦāĻ•āĻĻেāϰ āĻ•াāϜ āĻĻি⧟েāĻ›েāύ। āĻ—্āϰাāĻŽেāϰ āĻŽাāύুāώেāϰ āĻŦিāĻĒāĻĻে-āφāĻĒāĻĻে āĻĻাঁ⧜ি⧟েāĻ›েāύ। āĻ…āϏুāϏ্āĻĨāĻĻেāϰ āύি⧟ে āĻ—ি⧟ে āϤাঁāϰ āĻšাāϏāĻĒাāϤাāϞে āϚিāĻ•িā§ŽāϏা āĻ•āϰাāύোāϰ āĻŦ্āϝāĻŦāϏ্āĻĨা āĻ•āϰেāĻ›েāύ।āĻšাāϟāĻ—োāĻŦিāύ্āĻĻāĻĒুāϰে āĻ•āϞেāϜ āϤৈāϰিāϰ āϏāĻŽā§Ÿে āϤিāύি āĻ–ুāĻŦ āĻŦ⧜ āĻ­ূāĻŽিāĻ•া āύি⧟েāĻ›িāϞেāύ।
āϏāĻŦ āĻŽিāϞি⧟ে āύিāϜেāϰ āĻ•াāϜে āĻ…āύāύ্āϝ āĻšā§Ÿে āωāĻ েāĻ›িāϞেāύ āĻ•েāĻĄি। āĻšā§Ÿে āωāĻ েāĻ›িāϞেāύ āφāϏ্āϤ āĻāĻ• āĻĒ্āϰāϤিāώ্āĻ াāύ।
āϤাঁāϰ āĻĻেāĻ–াāύো āĻĒāĻĨে āφāϰāĻ“ āĻāĻ—ি⧟ে āϚāϞুāĻ• āĻŦিāϏ্āĻ•āĻĢাāϰ্āĻŽ |

#āϏংāĻ—ৃāĻšীāϤ   

Sunday, March 16, 2025

Britannia Marie Gold honoured Avani Lekhara by launching limited edition packs


What has Britannia Marie Gold got to do with shooting 🤔 

Britannia Marie Gold honoured Avani Lekhara who won Gold at the Paris 2024 and Tokyo 2020 Paralympic Games. For the first time in 18 years, Britannia launched a limited edition pack in which they reshaped the iconic brand not just to match Avani's 4.5 cm target but to make us consumers feel quite literally the precision required to hit the mark from 10 mtrs away. Every biscuit in the pack is intricately engraved with the same placement of Avani's historic winning shots. It's just not a design but tribute to her grit, focus and perfection measured in millimeter. 
The advertising agency responsible for this brilliant creative work just didn't tell a story but made it tangible.  They turned inspiration into something that consumers can hold, taste and experience. Some victories are are just not seen but felt and savoured. 

(March 2025) 
* Marketing Initiative 
* Out Of The Box Marketing Initiative

Sunday, February 23, 2025

Friday, February 21, 2025

KFC master franchisee in Turkey to close all 537 outlets in Turkey


Turkish İş GÄąda A.Ş., which operated franchises for KFC and Pizza Hut across Turkey, on Feb. 12, 2025 announced it would start layoffs after it declared bankruptcy due to debts amounting to 7.7 billion TL.

Nita Ambani addressed employees to mark 25 years of Jamnagar Refinery in Gujarat on 2025-01-03


Nita Ambani remembering Dhirubhai Ambani while addressing employees and their families gathered to celebrate 25 years of Jamnagar Refinery in Gujarat on 2025-01-03. 

Sunday, February 02, 2025




Received these with seal broken and wrapping torn on 2025-01-21 after ordering from Amazon in less than 24 hours. Combo pack of 2 x 1 kg Mapro Strawberry jams and 1 x 1 kg Mapro Mixed Fruit Jam were ordered. Barring one pack of Strawberry Jam, the other two arrived with faculty packaging. Took up the issue with Amazon on the date of delivery itself. 
Amazon India replaced all the 3 packs on 2025-01-28 and asked me to retain the packs received earlier. 
Amazon India deserves hearty thanks for being proactive.

Friday, January 17, 2025

Anand Mahindra emphasized the importance of quality over quantity when it comes to work


At the Viksit Bharat Young Leaders Dialogue in early January 2025, speaking to journalist Palki Sharma, the chairman of Mahindra Group emphasized the importance of quality over quantity when it comes to work.

When asked how many hours he works in a week, Mahindra said, “This is what I wanted to avoid. I don’t want it to be about time. I don’t want it to be about quantity. Ask me about the quality of my work. Don’t ask me how many hours I have worked.”Taking a dig at Subrahmanyan’s remark—where he questioned, “How long can you stare at your wife?”—Mahindra said, “I want to tell people that I am on X or social media not because I am lonely. My wife is wonderful; I love staring at her. So, I am not here to make friends. I am here because social media is an amazing business tool. How in one platform, I get feedback from 11 million people.” 
* Education And Career Pundit 
* Marketingpundit 
* How India Travels 
* Carrot N Stick